by Elaine Ratner?
"Dear Librarian, Are you really in there — inside a library where you stay 24 hours each day?"
The question arrives in the morning mail at the Presidio Branch of the San Francisco Public Library. It is from two inmates at the Washington State penitentiary who have just read The Abortion: An Historical Romance by Richard Brautigan.
Since Brautigan wrote his book in 1966 "about the romantic possibilities of a public library in California" and included in it the address of the Presidio Branch
"They're easy to recognize," says librarian Kay Roberts who is enjoying the new popularity of her branch. "They wander around with their mouths half open. They never look at the card catalog, so you know they aren't on regular library business. One even asked if I was Vida, but he was obviously just trying to flatter me for some special privilege."
You see Vida, (pronounced V-[eye]-da), heroine of Abortion, is without doubt the most beautiful woman ever seen inside a library:
...an incredibly delicate face, beautiful with long black hair that hung about her shoulders like bat lightning. She had very large fully realized breasts and an incredibly tiny waist and full hips that tapered down into long majestic legs. Her body was very sensual, inciting one to think of lust, while her face was Botticellian and set your mind to voyaging upon the ethereal.
Not your ordinary librarian, even in San Francisco.
Brautigan's gorgeous heroine isn't really a librarian anyway. Until her unwanted pregnancy and subsequent abortion, she lives with the librarian
The narrator observes early in Abortion:
The library came into being because of an overwhelming need and desire for such a place... To make the person and the book feel wanted because that's the main purpose of the library and to gather pleasantly together the unwanted, the lyrical and haunted volumes of American writing.
Apparently Brautigan has a point. His idea has struck a responsive note in many of his readers, closet authors who want the imaginary library to be real. They come to 3150 Sacramento Street to see for themselves or write hopeful letters which land eventually on Mrs. Roberts' desk to be answered.
Many of the letters are of the Are-you-really-there-doing-what-he-says-you-do variety. Some are fan letters, like the one from Patti A. at the University of Wyoming:
Even if that library only exists in the minds of a few people, it is such a great idea and I'm sure such a relief for quite a few people to be able to contribute to it.
Jeri J., in Bridgeport, Connecticut is among the hopeful believers in Brautigan's library idea who try to arrange by letter to bring in their books:
I'm writing a book and would like to bring it to your library. However, I live in Connecticut and 1 just want to make sure this is the address. I wouldn't want to travel all the way there to find it isn't.
Then there are those, like David W. from Portland, Oregon. who choose to ignore the novel's injunction against sending books by mail. He writes in bold red letters on his envelope: "Attention: This is my book. It is called You Can Get There from Here. It is about growing up."
Kay Roberts answers every letter, trying to break the news gently that, alas, the Presidio Branch library is just an ordinary library and always has been. Some would-be contributors write again to say that's OK.
"They don't seem too disappointed to find out that we're just an ordinary library." Mrs. Roberts says. "Actually, we're the ones that find it hard to accept. Every morning I have to wrench myself out of Brautigan's fantasy in order to get some work done in my real work-a-day library. By taking the setting out from under me and making it into something else, he left me in a library I keep thinking of in make-believe terms. I find myself looking at everything through Brautigan's eyes. I walk up to the building and I can't stop marvelling at the 'asparagus stalk lamps'; I could have worked here 20 years without hitting on a happy expression like that. That's exactly what they are."
Mrs. Roberts glances around the yellow-brick building, so perfectly mirrored in the a novel. "And another thing," she says, "we now have something of a reputation to live up to. My assistant, Mrs. Landon, was worrying just last week that our daisies are not quite up to standard this year."
It is obvious that the real-life librarian of the Presidio Branch library doesn't mind the added responsibility at all. She looks forward to Brautigan's occasional, always unannounced visits. She saves all of the letters for him to see, and she's been trying for months to convince him, as a long-time patron and the architect of its fame, to participate in a program at the branch. So far she's been unsuccessful and has had to content herself with an Abortion exhibit of letters.
She's even been thinking of initiating a Richard Brautigan Abortion Memorial Collection non to accommodate the many unpublished books that have been offered and the few that have already been sneaked onto the shelves. One, a leather bound travel diary containing a trip from New York to California, was found1 in the Kurt Vonnegut Jr. section. Scrawled inside is an explanation from the author, Bill T. of Chappaqua, New York.
I'm not sure why I'm leaving this here or writing this. It's just something I have to do. I put myself behind the Vonnegut books because it would be too obvious to place me behind Richard Brautigan. At the moment both these authors are my favorites. But if you find me behind Kurt Vonnegut and would like to move me over to Richard Brautigan, feel free to do so. In fact do anything you want with me add to me or throw me away. I just thought I'd say hello goodbye — peace.
Whatever Kay Roberts decides to do with her still growing Abortion collection, it will have to wait. Mrs. Roberts is now on maternity leave.
California Living
May 14, 1972
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